ALL AT SEA: DAY BOWMAN-TEARING UP THE RULE BOOK @WESTMINSTER REFERENCE LIBRARY

EXHIBITION

In contrast to the relatively sedate works Bowman contributed to the Getting Away! exhibition at Arthouse1 last year (which she also curated)-abstracted studies of sea and shore filtered through a lens of unsentimentalised memory, in which the greatest (genial) threat was that of overcast day and possible storm-the new pieces comprising this show in the West End churn and roil with a turbulent, dark undertow, tremendously unsettled and restless, awash with disruption. Conflicts and collisions of colours abound throughout each canvas, whirls, swirls, whips and whorls of orange and white marauding across the frame like hurricane systems. The sea is bothered, a plague of squall, plight and peril, etched with scratches, aggressive squiggle patterns, unbounded drips of paint, unyielding blocks of hue. Corrosion and toxicity have embedded within the environment. As one element of the imagery, per Bowman’s objective, is to interrogate the idea of the sea and coast as locus of border and belonging, it’s impossible not to sense in the visual chaos the ongoing migrancy crisis and concomitant treacherous, desperate, sometimes fatal, sea journeys undertaken. The softer colours of the two Plashy Place studies (and Diversion 1) provide essential playful, innocent relief for the eyes, brief breezy beats of breath and reflection set apart from the surrounding clash and clamour. As merciless, unsparing and tumultuous as the sea, these are thrillingly, poetically active and alive works informed by a very expressively astute consciousness of turmoil, their very creation a feat of getting through. You will be shaken and stirred. Tearing Up The Rule Book continues through 13 April

https://www.artrabbit.com/events/tearing-up-the-rule-book-by-day-bowman

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